every piece is difficult to conduct. In their own way, they all have their difficulties. Our Gianna Schicchi is a really tricky ensemble opera that needs to fit in with the orchestra like a fast moving puzzle. But Suor Angelica has its own tricky bits, with the flexibility required to paint the character‘s emotions.

funny stories? Here’s one! I was just starting the overture to Gounod’s Faust at the Paris Opera when the lights totally went out in the pit. Much to my amazement, the orchestra just kept playing the 3" overture until they got to the end without seeing their music. It was astonishing (and scary). Turns out the electricians were going on strike (during the performance!)