Asiriya

Asiriya t1_jbqupv7 wrote

Because it defined and represented an approach to Star Trek storytelling that spilled into other series. It was also aggressively rubbish, much like Picard.

I’m watching S3 Picard now and personally I don’t think it’s much better. But if the cancellation is a rebuke of how Star Trek has told its stories for the past half decade - good.

SNW and Lower Decks are much better.

Obviously I’m not wishing ill for the staff and hope they land on their feet.

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Asiriya t1_j61ee9j wrote

Plus American ad breaks are obnoxiously frequent. Huge turn off.

Personally I’d like to understand their stats on frequency / duration of ads vs attention.

I’m sure that there’s something in blasting the audience with the same thing over and over to program them into wanting what’s advertised, but you’d also think that fewer ads would make people pay more attention when they are on, and be more impactful.

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Asiriya t1_j44ea63 wrote

I don’t see how Covenant knows what it wants to be. It goes from philosophising in the opening establishing the same tone as Prometheus to a really dumb slasher, interlaced with moments of Prometheus-like intrigue where it can’t help but fill in the blanks between the films (and that stuff being far more interesting than the slasher the film actually is). Then it’s never sure if it wants to be an alien film or an android film - I don’t think it’s nearly as deft as the original was at juggling both.

I know the Prometheus script had a dozen hands on it but what happened during production, I’ve never seen the BTS you mentioned.

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