BEE_REAL_

BEE_REAL_ t1_iuda4a7 wrote

Wild Strawberries stars Victor Sjostrom, Sweden's most notable director before Bergman

Orson Welles has a number of acting credits in other peoples' movies. I think the oddest one is in Pasolini's short satirical film La Ricotta, where he plays an arrogant American director and his voice is dubbed over completely in Italian (probably as satire of the practice, which was common in Italian movies at the time).

3

BEE_REAL_ t1_iucvk3m wrote

Mulholland Drive

Barton Fink

Sunset Boulevard

Hail Caesar

White Hunter, Black Heart (not set in Hollywood, but about Hollywood people travelling to Africa based largely on a real story)

In a Lonely Place (maybe only the setting of Hollywood rather than about it though)

Who Framed Roger Rabbit

Boogie Nights (Hollywood adjacent)

8

BEE_REAL_ t1_iub5jzv wrote

That's mainstream too lol

To answer your question, I don't think superhero movies are worth your time or anybody's, but stuff like The Matrix, Lord of the Rings, Jurassic Park (only the first one) definitely are. You don't have to like blockbusters though, you can just look for other kinds of movies.

7

BEE_REAL_ t1_iu8c4b6 wrote

??????

Bateman is literally a sadistic psychopath, he has no desire to interact with people in any way beyond demonstrating power over them. He is upset because society is so uncaring and shallow, his own personal depravity doesn't even make a dent.

8

BEE_REAL_ t1_iu5k42n wrote

Yes, you're right about everything, there is nothing notable about it besides the famous twist, and the twist unravels on rewatch (it's literally not foreshadowed or set up in any way, the movie makes you think it is by cutting to stuff you never saw at the end).

−2

BEE_REAL_ t1_iu3uvig wrote

Not sure if these are exactly what you're looking for, but these movies are all about a characters refusal to succumb to seemingly inevitable/inescapable circumstances:

On the Waterfront

The Trial (1967)

The Big Heat

Pans Labyrinth

High Noon

Michael Clayton

5

BEE_REAL_ t1_itujk9w wrote

You're assuming a lot from one word lol

Se7en is not edgy from a filmmaking perspective, it pushes no envelopes in terms of form, narrative, or even content really. It doesn't really engage with the violence in the movie, it just suggests. It gives flashes of convoluted violent scenarios, but with no interest in actually intimating the viewer with the violence -- it justs suggests it to try to impress the viewer with edgyness.

0