ExternalPiglet1

ExternalPiglet1 t1_je3exvz wrote

There is a lot ground to cover, I honestly don't have all the specifics. To me there's a lot of gray area, but it comes down to what does the song require. To simplify things, it makes sense for a choir to use the 4 major ranges, it makes writing the composition easier at least.

Those videos are interesting. The main showcase seemed to be how when hitting those notes called out, how effortless was it. I'm a tenor, yet I can still carry notes out of range. The trade-off is that I lose volume or stability. Or like how my low note might be a baritone's high note. It's the same note, but who's more comfortable with it.

Keep trying to figure it out though, it's a good rabbit hole to get into. Cheers~

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ExternalPiglet1 t1_je353mt wrote

How much of Aha's song Take On Me can they sing...that's a good range indicator. I'm kidding, but it's also a massive range.

Think of the common choir groups: Soprano, Alto, Tenor, Bass (there's more, technically) Based off the natural/comfortable ability of the singer, one of these ranges sorta just makes sense. Most of the time, the range someone talks at will be a good indicator of where they would sit in a choir.

But to determine the limits of a range, you're testing notes until you waiver or strain too much. A tuner would help, but it's up to you how much you want to track it or push it. Most people don't talk at their limits, so to tell a full range from talking only gets harder. How they breathe while talking might be an indicator, or if they're monotone or not.

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ExternalPiglet1 t1_je0zpul wrote

Been playing for a couple decades, but I'm not a professional. It's nice to either lean into a different creative process...or to have absolutely no creative approach and just engage with a chore.

3D modeling or graphics creation are the most satisfying of my pastimes, but I also like to mow the lawn or play videogames.

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ExternalPiglet1 t1_j64bcwd wrote

It's just easier to make it. No royalty or licensing to have contracts with either. Of course the average person will still find music they want, but the commercial side of music will be hit, not to mention the novelty of it all. Anyone with only an idea will be trying to get ears on their new tracks.

Ultimately, not much will change in terms of abundance of music and its enjoyment... yet I'm sure there will be effects that we only recognize afterwards.

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ExternalPiglet1 t1_j644vpr wrote

I've been checking out Folk Metal, trying to see what boundaries they've been giving it. Oak Pantheon came out with an album last week.

They don't chimp on either genre, clean guitar and clean vocals all the way into double-kicks and shredded riffs with sinister vocals. I don't know what to call it for a genre, but it's more interesting that way.

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ExternalPiglet1 t1_j63kdqy wrote

Oftentimes it's just to keep a beat while working. It gives the brain something to engage with while also keeping pace.

Or it's to explore new arrangements or tones. I've been playing guitar long enough where anything fresh or interesting is something I can learn from at times.

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ExternalPiglet1 t1_j1zcjl0 wrote

I love having a physical library. After selling off CDs gradually over the years, I've come back around to having more of a definitive collection on the shelf. If you have the room, set it up~ but otherwise, selling them won't really get you much money in today's market.

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ExternalPiglet1 t1_iyf3loi wrote

I've been checking out this UK jazz group, The Ezra Collective , this song features vocals from some cat I'm definitely going to try and hear more of.

Same album has a track featuring Sampa The Great , she lives up to her name. Both vocalists have the rap flow, yet with a real fresh ensemble of horns and percussion.

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