anasui1

anasui1 t1_isflrgf wrote

all I see about this project is Kaling appropriating a beloved character and turning it into a young version of herself, like in a flashback sequence we see child Kaling watching Velma and saying "one day Velma should look like me and talk like me, one day!!". There should be regulations on vips doing that sort of egomaniacal shit, especially using old IPs that have nothing to do with their garbage ass delusions

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anasui1 t1_irqy8n8 wrote

first of all, thanks for pointing that out. Zero may be inaccurate but

the show itself treats that particular premise (which isn't even that) as a plot element, not *THE MESSAGE*. The "racial strife" in it is just there as backdrop not because they don't give a damn about it, but because the show doesn't bash your head in with it and it's just one cog in the political machinery, used and abused for personal gain. You get asshole black cops, easily bought activists, nefarious white politicians, good ones, bad ones, grey ones, it balances all this stuff so well. And that season may very well be the best, because the mystery is almost Christiesque in its complexity. Bosch himself is of course an extraordinarily smart detective but he got some bad flaws as well. Give it a try

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anasui1 t1_irmj9ph wrote

Bosch, probably. It's one of the incredibly rare recent examples where gender, ethnicity, sexual orientation has absolutely zero importance to the story. They're just people, equal in everything. A woman may be better than a man in it, and a man can be better than a woman, with noone crying about it because it's not even a point the show deems worth making. You know, real life, real people. The sort of balance feminism is about and 99% of these dumbass hacktivist writers don't get

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